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Restless Leg

by Tom White

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1.
Soft Close 10:52
2.
Jitters 09:04

about

Tom White is an established figure on the international sound art scene. Aside from his physical output – 25 solo and collaborative releases – his live performances attract a burgeoning audience as interested in his compositional originality as his mechanical wizardry. It’s not unusual at his gigs to witness a front row semicircle of technocrats craning their necks to ascertain what model of tape player or software programme he’s using, while fellow artists and pure sound enthusiasts sit still, eyes closed, allowing themselves to be transported into a landscape of vibrations, glitches and clanks. The one question that typically bridges these sections of his fan base is: how on earth is he making that astonishing sound? As a digital native this music is produced by someone who is instinctively adept at harnessing the pick ‘n’ mix power of software tools, but also someone who is an authority on the history of analogue sound experimentation. The result: an aural language that blends influences as wide ranging as Luc Ferrari, Maryanne Amacher and Autechre that is firmly rooted in the mundane timbre of daily life while aspiring to the concurrent depths of inner and outer space.

This new release by Continuous Tone is a stereo mix of a live performance presented at Café OTO earlier this year. Kate Carr and Iain Chamber invited Tom to respond to their theme of “Rubbish Music” in which they take discarded objects as source material for live improvisations. The subsequent composition employs a pair of modified kitchen pedal bins as musical instruments; close mic’d, with the lids opening and closing periodically to modulate the sounds passing through and ‘prepared’ with bamboo sticks placed on the speaker cones inside so that low frequencies vibrate the metal lids.

credits

released November 7, 2022

Recorded by Pedro Subtil at Café OTO, July 10th, 2022
Mixed by Tom White
Mastered by Taku Unami

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all rights reserved

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about

Continuous Tone London, UK

David Blamey lives and works in London. He established the Continuous Tone online platform for artists working with sound in 2019. The Wire described his O.K. cassette release for My Dance the Skull’s Voice Studies series as ‘something quite strange, creepy and good’. ... more

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